Showing posts with label weekly reader. Show all posts
Showing posts with label weekly reader. Show all posts

Tuesday, July 8, 2014

5 Tips for Keeping Your Writing Clear and Focused

I see many beginning writers struggle to find a writing style that doesn’t sound too academic (read: stilted, boring, and needlessly obtuse). Here are five tips to help keep your writing clean and focused.

1. Avoid long sentences

It’s hard to write a long sentence that works, to get the verbs, punctuation, timing, and cadence right so the reader doesn’t get lost.

So don’t write them. Focus on writing plain, straightforward sentences.

One of the best writing tips I ever received came from a former boss, the wonderful Nancy Webb, who served as an executive editor at Weekly Reader for many years. I had been trying to write a compelling article lead but kept get mired down in my own prose.

“There’s nothing more powerful,” she told me, “than a simple declarative sentence.”

She was right. Take a look at your own writing, and look at how many simple declarative sentences you tend to use. If you don’t spot many, start slicing those long sentences into sentences that would make Nancy proud.

2. Avoid long paragraphs

There’s nothing inherently wrong with long paragraphs. In fact they can prove enormously helpful in fully describing a complex idea. However, for much non-fiction writing, and certainly for health-related textbook writing, long paragraphs should show up only when necessary.

Click to enlarge.
Part of the reason for that is to provide some white space (also called negative space) on the page, though that’s more a benefit than a reason. (See image, right.) Avoid long paragraphs mainly to maintain reader interest.

Purists might argue that a paragraph should be as long as it needs to be and that if the writing is good enough, the reader will come along for the ride.

For fiction and other more literary pursuits, that rule works. But for today’s student, for better or worse, faces time pressures many of us didn’t face when we were in school. To succeed in reaching today’s reader, then, writers need to take that pressure into account.

Vary the length of your paragraphs, absolutely, but try to stay away from paragraphs longer than a couple inches deep when printed on the published page.

Note how the size of the column on the left in the above image, with just a tad over one paragraph, makes the column dense, with little white space. The column on the right, with five shorter paragraphs of varied lengths provides more white space and so proves more engaging to the eye.

3. Use active verbs

Nothing moves prose along faster than active verbs. Learn them. Keep them handy. Use them often.

Banish to the extent possible those mangy passive verbs: is, am, are, was, were, to be, have, had, and the rest. Smash them. Splatter them. Lay waste to them like the Huns ravaged those pesky rascals of Western Europe.

‘Nuff said.

4. Change directions up front

When you need to present the "flip side," the "other side of the coin," or the proverbial and also trite "on the other hand," do so straight away. Don't make the reader guess the direction you're heading in.

Use words like these to signal a shift in direction:

  • However
  • Although
  • Yet
  • But (By the way, there is absolutely nothing wrong with starting a sentence with "But." Just do so sparingly, because it gets tiresome quickly.)
  • Whereas
  • Even though
  • If only
  • Until
  • Unless

Once you've changed directions, continue apace!

5. Say what you mean

Too many people write as if to prove they’re intelligent instead of writing to make their meaning clear. They use jargon like mayo on a BLT and adjectives and nouns strung together like misshapen pearls on a too-long necklace.

For example…

To minimize the possibility of these mismatches proving problematic for intensive clinical interpersonal relationship-building, clear communication among active participants is essential. Any inherently vague instances of teacher-learner connectedness must be evaluated in light of ongoing information dissemination challenges.

Writing like that deserves one gargantuan Huh?

So don’t write that way. If you’re having trouble putting into words what you’re trying to say, speak it. Tell it to someone or into the nearest recording device.

Our “speaking mind” works differently than our “writing mind.” When we speak, our mind helps simplify and clarify our thoughts. Use it to help simplify and clarify your writing too.


Now, go forth and speak your mind in writing!


Monday, May 21, 2012

3 Keys to Making Images "Work"

I learned my editing trade first at Weekly Reader and then at Springhouse Corp, now part of a conglomerate that shall not be named. The editors at those places drilled it into me: Make images do work.


An image does work when it provides clinical content in a visual way. An image of an ECG strip, the interior of a heart, or an algorithm of emergency care of ventricular fibrillation do real clinical work.

An image of someone at a computer doesn't do any clinical work. Who hasn't seen someone at a computer?

An image of an apple in an article about nutrition doesn't do any work. It's just there to look pretty on the page.

I hate those kinds of images, and I blame, specifically, Nancy Webb at Weekly Reader and Pat Schull at Springhouse. I love them both; they're incredible editors and incredible people, and they made me this way.

So blame them.

Ask yourself these three questions to make sure the images that accompany your articles or chapters do good work.

#1 Does the image help illustrate a concept?

For every image you want to add, ask yourself, Does it move the content forward?

Let's say you're authoring a chapter on medical assistants using an electronic medical record (EMR). Does a stock photo above of a smiling woman at a laptop, like the one above, do anything to move clinical meaning forward?

No, it doesn't. So don't use it.

But if you used a photo like the one at right, now you've got something. Now you've moved the clinical meaning forward.

See the difference?

#2 Does the image carry the content forward?

Let's go back to that apple in a nutrition article. By itself, the apple image doesn't do squat. It just sits there.

Seriously, who hasn't seen an apple?

Right. So for that article, which describes, let's say, how fact sheets about common fruits can help people better understand nutritional requirements, suppose you used an image like the one at right? Now you've got something worthwhile.

#3 Is the image useful enough to take up valuable space on the page?

Your publisher pays dearly for every inch of space on the page. Do your part to make sure you're using it wisely.

http://www.cardiorenew.com/october2009.php
Images that do more than one piece of work always prove valuable. For instance, an illustration that shows blood flow through a partially blocked artery can show (1) narrowing of the arterial lumen, (2) decreased blood flow at the blockage, and (3) how a blockage can lead to disease.

If you aim to make most of your images perform that much work, you'll strengthen your textual content and give the visual reader great help in understanding the concepts.

So stay away from stupid, do-nothing images and make your images do real, honest to goodness work.

Nancy and Pat would be proud.